Waistcoat Mutation

The silver zebra Burda 7799 waistcoat is stalled.

However a waistcoat had to be made and the result is a mutation between Burda 7799 and Lincraft 1063.

I used the body of Lincraft 1063 and the collar and welt pockets of Burda 7799. The two front pieces are a lightweight woven fabric with iron on interfacing to give more body, the back and lining is Dancetime satin - the back is the matt side.

So a marvellous slinky feel and a completed waistcoat. Smiles all round.

Welt pocket outlined on waistcoat front

Completed waistcoat

Close-up of buttons and welt pockets

Shawl collar and satin interior

Burda 7799 waistcoat

Recently I crossed my fingers and toes and started on a new waistcoat for my Father. The Burda 7799 pattern is for an unlined vest/waistcoat with three variations. I am making the one with the notched collar and two welt pockets.

Fabric: paper taffeta with a silver zebra skin print for the front, paper taffeta in plain silver for the back and welts
Interfacing: lightweight non-woven iron on
Lining: grey/silver dance time satin (I think)

Progress notes
There were more than a few questions to answer before the pattern was cut.

• Which way does a zebra skin run?
• What is the most body flattering direction for the zebra print to run?
• Which is the right side and which is the wrong side of each fabric?
• Should I underline it?
• Should I use the iron-on interfacing on the front vest to support the fabric and stop it fraying?
• Why oh why did I use this easy fraying, easy snagging fabric?

Zebra fabric and metal shank button